Tom Christopher led a three-day landscape workshop for APS members in conjunction with the Arkansas Pastel Society’s 10th National Exhibition, Reflections in Pastel. Tom also served as juror and judge for the exhibition and presented the program at the November APS meeting, where he demonstrated a landscape painting.

During the workshop, participants observed Tom demonstrating his techniques and then applied them to their own paintings. Tom works on Gatorboard, which accepts water better than regular foam core, and prepares the surface with gesso to create a textured underpainting, often tinting the gesso with acrylic paint in a complementary color. He may also use watered-down semi-gloss acrylic house paint applied with a 1½-inch brush, taping off areas such as the sky where texture is not desired.

Tom travels light, carrying a small box of Terry Ludwig pastels that he considers his workhorse set. He applies pastel with a very light touch, using the flat side of the stick for most passages and the edge when a sharper line is needed. He often pats the surface with a paper towel and typically paints the sky last so it can be adjusted to work with the rest of the painting. The only time he uses fixative is to darken an area. For sketching, Tom uses a carpenter’s pencil, which provides a broad line and is inexpensive and easy to find at home improvement stores.

Participants enjoyed learning Tom’s techniques and experimenting with them in their own paintings.

Arkansas Pastel Society Workshops

APS members regularly have the opportunity to learn from visiting artists through demonstrations, workshops, and programs.

Learn more about Arkansas Pastel Society membership.